"Weibel" just posed the question as to whether reading The Old Ball Game will make him better at fantasy baseball. Well, "Weibel"--if that is your real name--no, it won't. But it will help you appreciate the game more through exploring its origins, if that's any consolation.
"Weibel" also in the midst of his quest to become this blog's most prized reader--yes, I rate you all on scales of importance and frequency of visits like an internet Santa--heaped praises upon Rachel Weisz. I generally like her, but her character was so mean to the Greatest Chiefs' Fan, Paul Rudd, in The Shape of Things that I have a hard time looking at her now. As for Jessica Biel, the writers of this blog are very fond of her. Very fond indeed.
"Ryan" said that he knew that I wanted to head to the House on the Rock. I have actually been there before, although I'd not object to going again. The distance between here and there is insurmountable for the time being. I am working on building a pair of wings. That should solve that. Or I'll die.
Yes, "Little Brother", "The IT Crowd" is awesome. Thanks for the head's up.
There were three comments on the Role Models portion of the two-reviews-in-one-post. I'll address them in bullet points:
- I did used to dislike Seann William Scott, Weibel--your frequency of commenting has absolved you from the quotes; congratulations (and, yes, I used a fucking semicolon there)--but in recent years my distaste for him has waned as the memory of the shitheap that was the American Pie franchise gets more and more distant in the [cracked] rearview.
- Little Brother--your contributions to this blog are not lost on me either, nor is your blood relation, hence the quotation mark disappearance--I, too, found the SWS character more likeable than Rudd's.
- KRD--OK, so I've abandoned the use of quotes now; but not semicolons; I guess I have to do my part to the abuse that Cormac McCarthy has committed against the English language, and it begins in this post--I think Ryan Reynolds is really funny. Do you really want me to explain why Wet Hot is so funny? Well, I'll first absolve you from eternally landing on some imaginary shitlist of mine by telling you that it's all right. You don't have to like Wet Hot American Summer. If you want to know why it's funny to me, I'd have to go on for ages while watching it. In brief, Paul Rudd is absolutely hysterical in it. For the entire movie. I'm kind of lukewarm on Michael Showalter in general (and Michael Ian Black, for that matter) but line that his character "Coop" drops when Marguerite Moreau's "Katie" is walking away is a line that I at least think in my head once a week and laugh out loud. How is "I want you inside me" not hilarious? The string of Chris Meloni aggression followed by depraved sexual admissions followed by lame cover-up attempts is fucking great. The training sequence, along with "Higher and Higher" or "Turn Me Loose"--it was one of the two, but I'm pretty sure it was "Higher and Higher"--is pretty damn sweet, too. I could go on. Watch it with a bunch of people. Drunk. They even like Wet Hot American Summer in Portland.
I'm glad the Cynicism post stirred up some discussion among you three diligent posters. Too bad the other jerks that come here didn't chime in. I know who you are...
So that covers the last twenty posts or so. Anything further back would be so far back that it isn't really worth commenting on. I do read your comments, though, friends. Thanks for making this more of a communal forum than a meaningless stream of my mental masturbation.
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