Breaking Down: Breaking Bad - Season Four, Episodes One Through Four

Season Four starts immediately where Season Three left off, at the scene of the crime of Gale’s death. Victor finds Pinkman in shock in his car and escorts him to the superlab where Mike, Victor, Walt, and Jesse await Gus’s arrival. Gus shreds Victor and declares, “Get back to work.” Hank has since become mired in mineral collection and karaoke videos whilst bed ridden while Marie returns to her kleptomaniacal shenanigans. Skyler attempts to buy a carwash to power wash some bags of money and perfects Walt’s gambling story. As relationships boil on the domestic front, Mike battles the cartel behind the scenes, and Pinkman turns his house into an abysmal hell of a continuous methamphetamine/industrial rock party.

This week we cover the first four episodes, and the next two weeks we will do four more each, and then land on the Friday before the Season Five premiere with commentary on the last episode and predictions going forward with Season Five.

You don't want to be near Gus when he's wearing this outfit

Stan Earnest: Season Four starts with an immaculately paced episode, "Box Cutter", with Gale making a triumphant return in the opening sequence. First question: What do you think Gus was going to do with Walt if he didn't go to work for him?

Craig Scholes: I don't think Gus was going to do anything to Walt himself, but I do think Hank would be walking because dos Penas would have had their way with Walt instead.

SE: I think "Box Cutter" is the best first episode of a returning season of serialized television ever. The tension, the backing score, the foreshadowing, and the climax with Gus going all Joe Pesci on Victor's neck, and with a twinge of that smirky Breaking Bad dark comedy the episode comes full circle, and Jesse Pinkman survives as Walt's partner! The dialog has all kinds of quotable lines, notably, "Get back to work." But my favorite lines come from Jesse chowing down at Denny's. You're right Jesse, everyone's on the same page now. Rewatching, I aimed to figure out if Gus killing Victor was really an errant plot line, but I see how it makes perfect sense now, especially once I realized that when Gus walks in he is caught stubbornly playing with the millions of dollars in lab equipment with a goofy smile stuck on his I-got-this-boss face.

CS: It occurred to me that perhaps Victor was executed because of the way he showed up at the crime scene, poked around, and, if I recall correctly, left fingerprints on the door jam, which only set off Gus even more when he saw Victor fucking around with the lap equipment. The further the show goes along the more I fucking hate Walt. He was such a smug asshole in that episode.

I absolutely LOVED the foreshadowing of the box knife at the beginning when Gale opens up the first crate. I remember thinking that Breaking Bad would in no way be able to keep the pace up after Season Three, and they definitely did that. The first episode of Season Four is probably my second- or third-favorite episode of the whole run. My favorite line of the episode was Jesse expounding upon that same page Gus and they are now on, "The one that says, ‘If I can’t kill you, you'll sure as shit wish you were dead.’"

SE: That is definitely the line I latched on to. By the way, I totally forgot that AMC flashed a violence warning before the Victor slashing, a petty move I am sure AMC was forced to make, and I hope it doesn't happen again in Season Five.

Mike totally picked out the Kenny Rogers shirts while Walt and Jesse cooked right? There couldn't be a more direct homage to Pulp Fiction. I will always remember that UC Santa Cruz's mascot is the banana slug.

Say "banana slug" one more time mother fucker

CS: Have you ever seen a banana slug in person? They are actually nearly the size of a banana, and they are the most easily spotted thing ever. They have to be poisonous to be that color and not be feasted on by random predators.

SE: According to the ever-so-truthful Wikipedia, raccoons, ducks, geese, and salamanders all feast on the banana slug. Also, there is a festival in Russian River, California for the slug where the most successful entries to the food competition are often those in which the distinctly repugnant flavor is unnoticeable. Speaking of slugs, Hank is a real charmer in Season Four isn't he? How do you think he developed a passion for minerals?

CS: I imagine he asked himself, “What is the dumbest fucking thing I can collect to annoy the piss out of my super-awesome, hyper-supportive wife.” I imagine she keeps calling them rocks just to piss him off though. Fun fact, the university that I "studied" at in Germany had the world’s largest mineral museum.

SE: I totally dig the way "Box Cutter" ends with the Alexander song "Truth" and a sweeping shot of Gale's apartment with the last shot being of the lab notes. I had that lightning bolt folder in junior high, although it might have been a Trapper Keeper. And I'm no Edward Sharpe and the Magnetic Zeros fan, but I've listened to that Alexander song probably 100 times since that shows airing.

CS: Can't say that I’m a fan of the song at all. Would you say that the overriding theme of this season is that everybody is fucking miserable. Seriously, every character in this show is just in a shitty mood for one reason or another.

SE: Yeah, everybody is grumpy as hell; at least the writers understand what they have put the characters through. Unpopular opinion alert: I may like Season Four better than Season Three. It certainly has a flair to it.

CS: Liking Season Four more than Three isn't an egregious error; it’s probably my second favorite season.

I can't decide if I am surprised Jesse owns a Roomba. On one hand, it’s one of those impulse buys. On the other hand, I don't think of Jesse as being the type of person who would worry about having clean floors.

SE: He could have gone the Tom Haverford route and had DJ Roomba, but I don't think that sound system would fit on the Roomba. Fun fact about this episode: the writers wanted a scene with Aaron Paul's head against speakers vibrating with bass, but they didn't want to blow Paul's ears out. On a trip to a local electronics store (they definitely like giving back to the community in ABQ) to purchase the sound system, they found a store clerk that showed them they could solve the problem by programming the unit in test mode where the speakers vibrate to the music, but without sound. They made a deal with the kid's manager and hired him for the day to program the song for show.

"Thirty-Eight Snub" and "Open House" are seen as filler, or boring, episodes to casual fans of the show. I find the slow burn to be quite pleasing, as I am intrigued to see if this is what the characters would actually be doing in the aftermath of what has happened, and there is definitely a fair amount of setup needed for the coming episodes. My problem is with Walt becoming a dumbass in this episode, but maybe he is just so completely razzed by everything around him he decides to act completely irrationally. He totally deserved that ass whoopin' at the hands of Mike.

CS: You could clearly tell that sound wasn't coming out of the speaker, and boy is Jesse losing his mind, all while being a good guy and leaving a nest egg with Andrea. What would you do if you magically had a stack of cash appear in your possession? I’m too paranoid to try and spend a bunch of hundreds anywhere. Is it just me, or is Skyler becoming just as sketchy as Walt? It seems to me that the $873K or whatever it was she offered for the car wash was a pretty low-ball offer; on the other hand, I don't think I would have countered with $10 million.

SE: Eyebrows McGee really takes pride in his car wash. Another fun fact: real-life Bogdan is a nuclear physicist.

Did you think for any moment that Mike would switch to Team Walter at some point? I figured that was definitely Walter's next move, convincing Mike that he had some humanity left, but I had no inkling that the conversation would last two minutes and leave Walt bloodied on a bar floor. There is some karmic retribution in Walt getting the Pinkman treatment, even though I don't believe in karma, but I reckon it must exist in television drama.

CS: I don't think Mike would actually just switch sides, but I do see a scenario where he would if the right circumstances arise. Well, if you aren't so much a fan of karma, think of it as regression to the mean. Walt was just due to get his ass kicked. I doubt you can work in that business for too long without having a tooth kicked down your throat eventually, which is probably part of the reason why Walt is learning valuable lessons like how to properly draw a snub-nose.

SE: Walt is regressing all right, but not meaningfully. I respect that the writer's went super dark with Pinkman for Season Four. He's been through too much; of course he doesn't care about anything anymore. Most shows would just gloss over that and keep him running full steam. I hope I never get to a point where I am throwing wadded $100 bills into a passed-out drunk's mouth.

CS: I would however love to get to the point where I could afford to throw wadded-up Benjamins into a dude’s mouth. Yeah, Pinkman has really gotten it stuck to him, his parents turned their back on him, he has repeatedly gotten his ass kicked, his friends are useless deadbeats, his boss won't even give him the time of day, his lawyer fucks him over (more than the usual), the DEA has been on his ass, and his special lady friend pulled a Bon Scott. I think my breaking point is way before that; fortunately, I don't foresee myself ever getting to that point.

SE: How about Walt having a nice hot cup of coffee from Gale's wonder brewer? Maybe Walt can buy a coffee shop to launder all that money. Those cameras in the lab are probably a bad idea, but Gus is taking "full measures" this time around. I wish he could have seen Walt chase that fly around. Imagine Gus pulling his Volvo into a dark alley, screeching to a dust-unsettling stop. Mike hops in the car. Gus sleekly pulls a black leather folder personalized "Gustavo" in fine Italian stitching from beneath his suit coat, out of it slides an iPad, and he and Mike giggle like school girls as they watch Walt fall on that lab vat over and over again.

CS: Not only are the cameras probably a bad idea, but they're also really loud. What would be even better is if you see Gus walk into the lab with a box, open the lid, and a single fly flies into the lab. Then watch his maniacal laughter as he exits the lab; of course then you see Gus and Mike giggle like school girls as they watch Walt fall on that lab vat over and over again. Speaking of watch, has Walt always worn that sweet-ass calculator watch?

Walt = Butt-head. Fitting.

SE: I think I've only seen it once, must have been a luxury purchase with the meth loot; although he likely uses it for work--tax write-off ya know. I like the idea of prankster Gus and Mike vs. prankster Walt and Jesse. Can you see Walt calling up Mike and telling him he needed his help because he ice-picked Jesse and made a mess? When Mike arrives, they have a surprise for him. That better not be a surprise birthday party, though; an accidental shooting would be likely. At this point, what could Walt or Jesse call Mike about that would shock him?

CS: At this point, about they only thing that would surprise Mike would be for Jesse and Walt to shut up and do their job. But, if we want to go with the whimsical version I hope there is a stripper in the cake for the surprise birthday party.

SE: Question: why does Gus continue to pay Walt and Jesse after their little skirmish? Afraid of Pinkman running to the feds, or is it just part of the master plan? Certainly he must have charged them for the cleanup of run-over rival dealer #1 and capped-in-the-head rival dealer #2. That receipt is probably filed under "Vilma" in Roger Goodell's office.

CS: I was wondering about this too, and I would imagine it would have something to do with ensuring the product maintained a certain level of quality. Not only that, but as Jesse mentioned so many times, they are making a fraction of what Gus is making. There is also a good chance that Gus took away the bonus $3 Million of goodwill, and they are making the straight $1 Million a month again. Gus is smart enough to know not to make a volatile situation worse with even more disgruntled employees.

SE: Gus is very wise to leave the two up to their own devices. He figures they will probably ruin each other, but they have to keep an eye on Pinkman. I don't know if Gus knows that he has a get-out-of-jail-free card, but if you're found with a pound of meth and $500k, I am pretty sure that turns into a don't-pass-go-don't-collect-200-dollars card. Walt really needed to accept that invitation to go-kart. Walter White in a go-kart would be good times. I've never been; how 'bout you?

CS: Apparently if you have never gone go-karting, then you have never been to Branson, Missouri, sir. I'm willing to bet that Branson is the go-kart capital of the world, and I highly recommend doing it. Speaking of go-karts, that scene with Jesse reminded me of the go-kart scene in Clerks II.

SE: A Google search for "go-kart capital of the world" declares no specific winners, but Pigeon Forge, Tennessee is in the running according to some random webbie's Flickr photo. No, I haven't been to Branson, and I don't really see the appeal, other than it is closer to me than Disneyland and I like salt water taffy. I have relatives that go and claim that it is heaven on earth. And Clerks II kept me laughing, but that movie is an abomination, right? At least my favorite character, Randal, got a rehashing.

How fantastic is the Hank and Marie dinner party? The Gale karaoke video was a nice touch. If you ever get drunk enough to sing karaoke, what song will it be?

CS: One should definitely go to Branson once, especially if you are somewhat in the vicinity. The last time I went I watched an old dude fashion a square log out of a round log for about 20 minutes and I saw a guy carve a totem pole with a chain saw. They have some of the most amazing street vendor food, and in the summer they have a pretty righteous kids fest that I remember fondly. And for what its worth, I liked Clerks II.

Ground control to Rivers Cuomo

The last song I sang karaoke-style was the "Star Spangled Banner" in Germany on my birthday after having drank about 20 liters of alcohol. If I were to do it tomorrow, it would probably be something by Weezer.

SE: Trick question, homeboy. One can not get drunk enough to defend the singing of karaoke, unless you make a video to entertain your family and friends post-mortem, and even then you're on dicey ground, but 20 liters of German beer make you more of a man than me. And on that note, Walt needs to really learn to handle his liquor. First he forces Junior to slam tequila, then he wakes up in a sea of stale popcorn, and then he challenges Hank to get back on the scent of the illustrious Heisenberg. It really is killing Walt that he can't let Hank know that he is all badass now, but in a fight between wheelchair-ridden Hank and criminally insane Heisenberg, I'm still taking Hank.

CS: I’m not sure I would take Walt in a fight with Old Man Salamanca. It’s amazing to me how many times Walt gets put in his place, and how much it just causes him to push back.

SE: And no matter how much you push Jesse, he keeps figuring out all new ways to take it--the true vision of the odd couple. How nice was it for Mike and Co. to snag the guy that took Jesse's money, and Jesse doesn't even give a what-what. Did you have any first thoughts as to where Mike was taking Jesse at the end of "Bullet Points"?

CS : I remember thinking the first time I watched it that there was no way they were going to just off him. So I kinda figured they were going to try some sort of scared straight tactic, either that or they were going to make him mop up the chicken batter in the middle of the New Mexican desert.

So there you have it, Part One of Season Four. Tune in next week when we cover the next four episodes of everyone's favorite dynamic duo.

Breaking Down: Season Two of Breaking Bad - Part Two

Ever dream of spending 4 days in a broke-down RV cooking methamphetamine in the middle of a sweltering desert? That's where we left off with Breaking Bad. Walt and Jesse whip up 41 pounds worth as Walt plans his exit strategy, only to find out that his cancer is nearly gone and has become operable which will force him to live with his actions for awhile longer. Saul introduces the crew to the chicken fryer, Gustavo Fring, who eventually agrees to pay $1.2 million for the batch, causing Walt to miss his daughter's birth. Jesse finds the dark spoon of heroin through his conniving girlfriend Jane, and she threatens to blackmail Walt. After a random chance meeting in a bar with Jane's dad, Walt decides to console his partner Jesse. He finds Jesse and Jane incapacitated from the obligatory "last time" shot of heroin. Jane begins to choke and Walt chooses his own protection over Jane's life. Bad, bad things happen following Jane's death.

Stan Earnest:  The latter half of Season Two brings us the mysterious Volvo-driving, mustard-button-up-wearing chicken man by the name of Gustavo Fring, so very calm, calculated, demure. What was your poker read on the first appearance of Gus?

Craig Scholes:  Slow down there, turbo. We haven't even covered the epic episode where Walt and Jesse get stranded in the New Mexican desert for a couple days, and Walt crafts a battery McGyver-style out of a sponge, some Doublemint, and a tennis racket. I also can't imagine how Walt didn't even tell his own Mom about his impending lung doom.

Cranston as Walter of Arabia

SE: I thought it was a watermelon, an ice pick, and a snorkel. It does seem as though AMC tends to have series with writers that throw a character-building episode in once a season. Most shows totally derail the series doing it [*points finger at The Killing*]. Breaking Bad does it right. We need to know the time Walt and Jesse put in together, the time that is missing in the White household. That episode also answers some questions about Walt's genius, which helps sell the fact that Walt's cooking skills are the best around. I want to know what the hell they were going to do if the RV didn't start? That is how most criminals get busted: lack of planning.

CS: When we were kicking around the idea of writing about a show and I threw out the idea of thrashing a bad show, I had The Killing in mind. That show is so bad. The RV-stranded-in-the-desert episode is also the one we find out that Walt is in remission and that his cancer has shrunk by 80%. Walt and Jesse spent four days in the desert on the brink of death and cook an ungodly amount of blue heaven, which Walt figures will net them roughly $672,000. In all honesty, there aren't many things I wouldn't do to earn $672 grand over the course of four days, and this is where I think the real genius of the show comes in. Where do you draw your line? You are a family man. I’m not gonna lie, I have actually weighed the pros and cons of doing what Walt does. Of course, my list weighs much more heavily on the con side mainly because I am so risk averse, and I do not have the mad Chemistry skills that Walt has, so perhaps I'll just start brewing my own beer instead.

SE: It would be awfully hard for me to dissect The Killing. I wanted to like The Killing so much, but every twist just kept making less and less sense. It really is hard to explain why The Killing went so badly (I've yet to even contemplate touching the second season), but I am much better at explaining why Breaking Bad goes so well. There was a chance at one point in time for The Killing to transcend the whodunit genre, but they just kept running in circles. The first couple of episodes of that show were haunting though. I know Weeds would be a fun one to look at just because it is so frustrating. There are places where it is clear the show needs to go to be great, but Jenji Kohan seems perfectly fine staying put, floundering in mediocrity while ratings remain high. Which brings us back to the "4 Days Out" episode of Breaking Bad. A lot more happens in the last half of Season Two than I remember from the first viewing. Remember, I watched eight episodes in a row during that stretch, a mad case of what-happens-next syndrome. "4 Days Out" refocuses the show on the how and why Walt has ended up in this place he is at, a man nearing the end, just looking for a way to provide his family with the money to survive without him. He has lied and even killed his way to this point to keep his vision of his family's future intact, and that is what I love about Breaking Bad; it makes the viewer really question what steps could, would, or should be taken in those situations. Would a real-life Walt take those steps? Most shows never touch on those concepts: the contingencies of life. As a psychology major, I've researched many phenomena of human behavior, and one of those intricacies that people often don't realize is how differently they can--or are able to--act from their "version of self" given a certain situation. Would you shock someone to death if a scientist told you to? Surely, nearly 100% would say no, but Google the words "Milgram experiment," and you might question your assumptions about yourself. Which is the pickle of the entire show: can Mr. Chips really become Scarface?

So, when Walt finds himself riddled with lung cancer, back against the bricks, he cooks meth for money. He starts the trail of lies and deceit. He "breaks bad" for the sake of good, and finds out that--regardless of intent--there are extensive, dire consequences. Walt isn't morally confounded by any means. He knows what he has done, and that is why one of the all-time genius scenes of the show is when Walt finds out that his cancer is better and that he might live for much longer. Upon hearing the magnificent news, he destroys a mirror image of himself in the hospital restroom. Whereas, when he decimated Tuco's lair, he was in full-on Heisenberg mode, and he let out a menacing growl of glee. In the restroom scene, we see Walter White, the chemistry teacher, the family man, the consummate professional, and that person may admire Heisenberg's gusto, but he hates what Heisenberg has done. Pure genius, I tell ya.

CS: I struggled through The Killing to the end, HATED the way it ended, and pretty much refuse to watch Season Two. I've also never even seen a minute of Weeds.

I kinda think Walt had his fit of rage, because he realized he was going to have to live with the things he had done. At first he was like, "Fuck it, Im dying," but now he's like, "Holy Shit, I've done a lot of Bad, how am I going to live with this?"

Moving on, nothing says, "Life is good, and fuck cancer!" like the song Dance Hall Days by Wang Chung. What a fantastic remission party. Did your old man ever let you drink before you were of age?  My dad slipped me a beer once when I was maybe 16, and I remember being repulsed by it. Of course, it was Bud Light... How awesome would that party have been if Hank and Walt actually broke into fisticuffs? I can't imagine how badly Hank would have killed Walt.

SE: My parents drank Busch heavy, not exactly the world's greatest beverage. I didn't touch a drop of alcohol 'til I was 18; I was really focused on that permanent record BS in prep for college. I do remember using a can to cook beer brats at 2:00 a.m. when I was like 14. When I did have a few, I think my parents were relieved that I was "normal," which is why I love the Walt, Jr. tequila debacle. It was one of the few times Walt, Sr. has showed his hand to Hank. Of all the coincidences that involve Walt, that may be the one time Hank looks back and sees Walt in a different light. Walt's so pissed he isn't as cool as Hank in "Flynn's" eyes that he pulls the old if-you-are-gonna-smoke-you-are-smoking-a-whole-box-of-cigars routine. I can't think of a more embarrassing scene. Oh wait, I once tried to order a beer at age 18 while eating with my parents and their friends at a Red Lobster and was carded and denied. What a brash idiot I fancied myself.

CS: I wouldn't want to play Walt in a game of chicken, that's for damn sure. I love how Walt changing the water heater turns into an all day event. It went just like the last time I changed a bathroom faucet: a small fix that turned into a four-day debacle where I changed everything but the actual sink.  Episode Ten ("Over") has one of my favorite scenes in the entire run of the show too. When Walt chastises the guy in the hardware store for buying the wrong matches. It's absolutely hilarious to me, continuing to scold him for buying it all in one location. This also reminds me of a situation I had whilst working at Home Depot. Some college kids came in looking for a funnel and some plastic hose. By the time they left, I sold the splitters, ball valves, and about 12 feet of 1/2" tubing. They were well on their way to making the most epic beer bong conceivable.

Heisenberg, if he were in Baltimore. And not white.

SE: I always get this sickly déjà vu feeling when I enter the local hardware store because I just know I will be back two, maybe three, times to finish the project. Yes, the hardware store parking lot scene is perfect for a lot of reasons. We get Walt in the store and Heisenberg in the parking lot. The writers timed it perfectly to happen after we know that Walt has to continue with the mess he has laid out for himself. I love that he tells the potential meth cookers to get out of his territory as if he were Avon Barksdale. All of the other times--up until that scene--I had thought Walt was acting solely out of respect for earning money for his family, but after that I realized that he was really going into beast mode.

CS: The scene where Combo gets gunned down slinging rock reminds me a little of a minor pizza delivery incident of mine. The town I am from has a sketchy apartment complex where Pizza Hut doesn't deliver; however, the pizza joint I worked for did deliver there. This apartment complex had speed bumps everywhere, and one night when leaving this little kid on a bicycle rides up and demands me to give him money. I tell him no, and he gets really agitated, responding with a very agitated: "GIVE ME SOME MONEY!" I started to speed off and yelled back: "Ask your dad when he gets out of prison!" In hindsight, the kid could have shot me. Having said all of that, having children gang bangers is a pretty fucked up business plan.

SE: Time for talk of the Chicken Man. Bring it.

CS: Yep, Gus is awesome. Next topic.

SE: Ok, I deserved that. You know, Gus doesn't appear much in Season Two now that I am re-caught-up. Before we get into the last two episodes where all hell is let loose, I want to touch on something I have never thought about: from the first day working for Beneke, was Skyler planning on replacing Walt when he finally succumbed to the cancer? And Jane snubs Jesse in front of her dad, but once money and drugs are involved, she gets heavy-handed with the process. I am now seeing an interesting dichotomy between Skyler and Jane, or more so the show's depiction of women's interaction with criminal men.

CS: I don't think Skyler started taking a fancy to Beneke until she found out he was single. She doesn't seem like the home wrecker type. Jane, on the other hand, kind of had her hand forced when her dad walked in on her and Jesse. I really liked Jane. I would have liked to have seen her character more. It's funny, if Jane's dad hadn't told Walt to not give up on them, Jane would probably still be alive, not that Walt did much to prevent Jane from choking to death on her John Bonham-colada. Having never done any illegal drugs, doing heroin looks like it's a lot of work.

SE: The first time I saw the scene where Walt lets Jane die I thought I was done. It was a turning point for me. I had been rooting for Walt's adventures all along, waiting for him to break full-on bad and planned to celebrate the occasion. When it finally happened, I was disgusted. Gilligan and Co. really threw the ole Wakefield knuckleball there. It was at that point that further contemplation was required. It was only after that episode that I fully understood the purpose of the show and developed an admiration for the art of episodic fiction, hearkening Dickensian times.

Where The Killing just drags the viewer along, meandering to some unknown end point, throwing in filler episodes in order to snag the commercial money for the magical 13 episode season, Breaking Bad understands those premises and looks to work within them and around them. I've read some Vince Gilligan interviews, and I like his style. He seems humbly cryptic. He knows that the outside constraints of episodic TV are the money made from commercials and DVD sales. He also knows his television show isn't like other shows, it has a set beginning point and a set end point; and it's up to him to steer around the iceberg, to make Breaking Bad believable and unbelievable at the same time. He has a story to tell, bit by bit, with the premise that a the viewer has to be thrown a bone once in a while. The Killing doesn't seem to get that point. The Breaking Bad writers don't toy with filler episodes; if it doesn't fit it gets chucked. Is Walt going to really, really break bad? Well then, watch Walt let this woman die, and then watch some airplanes explode. You like that? The writers are just having fun with us in Season Two.

CS: How pissed were you when you found out how anti-climatic the teddy bear was? In the outside world, it's a bigger deal. Within Walt's smaller world--the world that matters--it really is pretty minor. One thing that is common among AMC shows is that you are just waiting for the bad thing to happen. Mad Men has me trained to just dread what might happen next. With Breaking Bad, I was expecting that teddy bear to be a gift of his new born and that the whole family had been gunned down by a Mexican cartel with the tattered remains of that bear being the only thing that survived. Obviously that didn't happen. The Killing is just a trainwreck all the way around. Who gives a shit about finding out who killed a character you never got to know, a character that the more you find out about, the more you don't like?

SE: I know I just got done doing what the Wolfman advised adamantly against in Pulp Fiction; but, to the contrary, I will say I was initially disappointed in the ending of Season Two. A lot of zaniness went into the setup. I love the boldness to foreshadow the end of Season Two in the first scene of the season. That was ballsy: Who was in the body bags? Walt and Skyler? Somebody Walt killed? But what really was up with the pink bear? But the surprise ended up not really being a surprise. And then there were the coded titles of the episodes that eventually spelled out: 737 down over ABQ.

The Wolf of Albuquerque

I am trying to recall my original feelings at the end of Season Two. I remember being a little let down in the same vein that several seasons of Weeds had done to me, tapping the iPod near the end, realizing not enough time remained for a reasonable conclusion, being left in need-more-now mode. A lot of time was spent seeking the reason for the plane crash, for the intertwined web in which Walt found himself speaking candidly with Jane's father, wondering if the writers wanted us to believe that Walt is literally creating the reality he lives in or that he exists in that reality solely out of circumstance. Is he going to find out that he created this mess, the terror he has--in a weird way--both intentionally and inadvertently caused? Then Season Three arrived and turned Breaking Bad from "my show" into the best damn show on television.

CS: HOT DAMN! Sweet segue action. I wanted to compare Mike to the Wolf in Pulp Fiction. I guess we don't actually know his name is Mike yet (but his name is Mike).  Mike didn't have to give instructions on how to clean brain matter off the interior of a Chevy Nova, but he does serve the same purpose of cleaning up a precarious situation.

I'd say Season Two is my least favorite of the seasons, and that's probably because of how much stuff could really just be cut out without affecting the story; however, one of my favorite scenes is in the next season, referencing the airplane crash. I still really like Season Two though. It's just not as good as the others. Especially Season Three, which is my favorite season by far.  Season Three of Breaking Bad is probably second only to Season Four of Dexter with Trinity.