Showing posts with label Dawson's Creek. Show all posts
Showing posts with label Dawson's Creek. Show all posts

Tuesday, January 18, 2011

Tube Steak: The Demise of Californication

Oh, Christ, make it stop! 
- Charlie Runkel, in "Suicide Solution" - Season 4, Episode 2

Maybe I am misremembering things, but it seems like there was a time in which Californication was not hackneyed shit. 

I think I tend to not be brutal in my evaluation of most of the media I consume here. Despite the name of the blog, I try not to make this an exceedingly negative space. This can be partially chalked up to the fact that I tend to only take in things that interest me in the first place. I won't be talking about American Idol any time soon. 
That is why this is particularly painful. Listening to the dialogue in the second episode of this newest (and hopefully last) season makes me seriously wonder if this show has become the worst on television. Every character on the show talks like they're in Mallrats. I mean this in the worst possible way. 

There was a time that Kevin Smith's way with words had some value. 

It is apparent that Tom Kapinos & Co. are operating under the assumption that we are still there. 

There was always the lingering doubt that someone as pithy as Hank Moody could actually be a great writer, but now every time Hank opens his mouth it seems shocking that he ever could have been paid to write at all. His hedonism is now just irritating. Whenever Marcy opens her mouth, it is to spew out some of the worst lines imaginable to man. The tête-à-tête between her and Charlie is unfathomably grating.

Somehow they even manage to infuse the show with awful music cues, further solidifying the shows entrenchment in the ways of 1996. Every bit of music screams crossover alt-rock from likes of Uncle Kracker and Kenny Wayne Shepherd.

And the puns. Oh, dear lord, the puns. It is as if after having gotten his first show to run following his gig as Executive Producer on Dawson's Creek, Tom Kapinos decided that he had to infuse that style with the faux edginess of Sex and the City, filling the now six year void in which there were no shows featuring characters that somehow manage to speak entirely in puns. 

My earlier Mallrats comment rings even truer upon further introspection, as each character on the show basically talks like characters from the movie. Hank = Brodie. Karen = Brandi. Charlie = T.S. Marcy = Rene. This show really is operating in 1996. Becca was riffing on Hendrix for Christ's sake, and there is nothing more mid-90s than the Jimi Hendrix renaissance.

The thing that pains me the most about all of this is that I like David Duchovny. I want him to be working, making money, and producing worthwhile media for me to consume.

Californication no longer qualifies.

 If you need further proof, witness this clip. Fisher Stevens. Awful content. Joyless.
For a differing opinion (which I was shocked to find), feel free to read this.

Friday, December 4, 2009

Tube Steak: Semi-Shameful "Glee" Confession

All right.

I watch "Glee."

It might be the gayest thing I do.

I actually enjoy the show for the most part. There are moments when I cringe*, but they don't outweigh the good.

*Any of the musical numbers that are fantasy sequences within individual characters' heads, thus breaking with reality: the thing I hate most about musicals in general.

With that out of the way, the pregnancy ruse that Terri was pulling on Will definitely had to end. It was intriguing for a while, but it had gone about six episodes too long. I guess there are bound to be some growing pains when you get an Executive Producer used to 13 episode seasons having to stretch his feet out on network full-season television, but Ryan Murphy need not worry, he is not going to be compared to Kevin Williamson* or "Degrassi" when it comes to burning through narrative arcs.

*Maybe my memory is doing me a disservice, but it really seemed to me that stories that should have taken months to play out on "Dawson's Creek" ended up being resolved in two or three episodes. With reasonable narrative pacing, I probably would have kept watching that show past its first season. OK, probably not. Its "Buffy" lead-in was the reason I watched in the first place, I never had a thing for Katie Holmes or Michelle Williams, and its dialogue was laughably inappropriate for the age-group being portrayed. "Dawson's Creek" was never really going to be a show that I could have stuck with...

But this faking of a pregnancy and the awful sister-in-law scenes was killing all momentum every fifteen minutes or so.

It had to end.

Now I get that Will and Jayma need to be kept apart to leave viewers wanting for something to happen. The sexual tension between the two is one of the most compelling aspects of the show--that, and the roughly tri-weekly transcendent full-group routines, starting with the outstanding "Don't Stop Believin'" number in the outstanding premiere--so keeping them lusting after one another with no release is vital to the overall chemistry of the show.


That doesn't mean the Will/Terri pregnancy drama needed to go on this long. It was excruciating, but I guess I've now gotten just a bit more of the good ol' catharsis from it, so there is that.

Thank God that's over.

I can now look forward to the season-long story arcs moving forward.

Here's a gift...

You're welcome.
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